OUR ETTER ART XL CRACKLE PASTE FOR CRACLEES That is her. The Etter Art XL CRACKLE PASTE is a paste for creating unique cracks (crackle). Create exciting craquelure and give your artwork special depth and three-dimensionality. The Etter Art XL CRACKLE PASTE consists of two components, primer and XL CRACKLE PASTE. That's what she's for. With the Etter Art XL CRACKLE PASTE you can create unique and exciting crackles that you can make in any size and density. It gives your artwork an incredible look and is particularly suitable for haptic and textural art. You can apply the XL CRACKLE PASTE up to 50 mm thick. The thicker or higher the layer, the deeper and wider its cracks. Particularities. With the help of the primer, making the craquelure is child’s play. In addition, the primer adheres excellently to materials such as canvas, wood, polystyrene, plastic, glass and much more. It is not suitable for materials that consist of silicone or contain Silicone. Measuring, mixing and processing the XL CRACKLE PASTE 1.) You have prepared your painting surface beforehand, i.e. it has been dusted off, degreased and is lying flat on your work surface. 2.) Prime your painting ground. For your base layer, apply the primer 1-2 mm thin. 3.) Apply the XL CRACKLE PASTE directly to the base layer (primer). So you work wet on wet. This is important as this is the only way the dried XL CRACKLE PASTE will stick to the surface. Without binding using the primer, it dissolves again. 4.) Let the XL CRACKLE PASTE and the primer dry. Depending on the layer thickness of the paste, this takes several hours. The warmer, the shorter the drying time. You should pay Attention to that. • Best results at 18-25 °C. • Do not store below 12 °C room temperature. • Store dry. • Protect from frost and heat. • Close the container immediately after removing it. • Clean the tool with water after use.

ETTER ART PAPER WALL TEXTURE GREYISH Our Etter Art Paper Wall Texture Greyish is available in the following colours: • Greyish Dimensions: 90 x 90 cm Paper: 135 g quality print, matt

ETTER ART PAPER LOVE AND FATE Our Etter Art Paper Love and Fate is available in the following color variants: • Orangey Dimensions: 100 x 70 cm Paper: 135 g quality print, matt

OUR RESI-CRETE FOR STRUCTURE AND HAPTIC That's it. resi-CRETE is a fascinating medium with which you can create fascinating structures on your artwork. It's easy, safe and quick to use, and you can also mix resi-CRETE with other products to achieve unique results. It can. resi-CRETE is a pre-pigmented, cement-like powder that can be mixed with both acrylic emulsion and resin. With the help of resi-CRETE you can create a structural and haptic experience for your pictures. Create surfaces with resi-CRETE that are reminiscent of concrete or relief-like structures with cracks or furrows. The look depends on how you apply resi-CRETE and what materials you add to it. That's what it's for. resi-CRETE is one of the lightweight materials you can use for art with texture and feel. The resi-CRETE provides excellent and quick coverage on surfaces such as wood, glass, steel, metal, stone, ceramics and much more. Particularities. Due to its pre-pigmentation, resi-CRETE is one of the easiest media to create structures. It can also be colored, there are different ways of using it and it is wonderfully suited for working with Resin. Measuring, mixing and processing resi-CRETE For a concrete-like surface 1.) Put the resi-CRETE powder in a suitable mixing cup. 2.) Add a small amount of acrylic emulsion. Use a plastic spatula for this. Stir slowly and carefully; for 3-5 minutes; also on the bottom and edges of the mixing cup. 3.) Your mixture must reach a pasty consistency. To do this, you can continue to add acrylic emulsion while stirring constantly. Make sure you get a smooth mixture with no lumps. 4.) The right consistency has been reached when the mixture of resi-CRETE and acrylic emulsion no longer flows. 5.) The less acrylic emulsion you add, the firmer your structure paste will be. It can be applied and designed three-dimensionally. 6.) Your mixture is ready and you now have 25-30 minutes to process the resi-CRETE. Then the hardening process begins. 7.) You have prepared your painting surface beforehand, which means: it has been dusted off, degreased and is lying flat on your work surface. Now apply the mixture to your painting Surface. For a relief-like surface 1.) Put the resi-CRETE powder in a suitable mixing cup. 2.) Add a small amount of acrylic emulsion. Use a plastic spatula for this. Stir slowly and carefully; for 3-5 minutes; also on the bottom and edges of the mixing cup. 3.) Your mixture must reach a very firm consistency. Make sure you get a firm mixture with no lumps. 4.) The right consistency is reached when the mixture of resi-CRETE and acrylic emulsion stops flowing and has reached a solid state. 5.) Apply the mass a little thicker to your surface and briefly heat it up with a hair dryer or let your work of art dry in the sun. These processes increase cracking. 6.) Your mixture is ready and you now have 25-30 minutes to process the resi-CRETE. Then the hardening process begins. 7.) You have prepared your painting surface beforehand, which means: it has been dusted off, degreased and is lying flat on your work surface. Now apply the mixture to your painting Surface. For putty based on resin 1.) Resin and hardener of MASTERCAST 1-2-1 are mixed by volume 1:1. Place the two components in a suitable mixing cup. (TOTALCAST and ULTRACAST XT are also suitable.) 2.) Add resi-CRETE and stir the measured amount in the mixing cup. Use a plastic spatula for this. Stir slowly and carefully; for 3-5 minutes; also on the bottom and edges of the mixing cup. 3.) The mixing ratio should be 40 grams of resi-CRETE to 100 ml of resin. 4.) Your mixture is ready and you now have 25-30 minutes to process the resi-CRETE. Then the hardening process begins. 5.) You have prepared your painting surface beforehand, which means: it is dusted, degreased and lying flat on your work surface. Now apply the mixture to your painting Surface. You should pay attention to this when working with Resin. • Always wear nitrile gloves. • It is advisable to work in a well-ventilated area and to wear a respirator. • Avoid skin contact (if resin gets on skin, wash with plenty of soap and water). • DO NOT eat, drink or smoke while working. • If eyes get dirty, wash with plenty of water for 15 minutes and seek medical attention immediately.

OUR RESI-BLAST, THE CELL AND STRUCTURE MEDIUM That's it. With resi-BLAST you can create unique cells, structures and color gradients on your artwork. The tension between resi-BLAST and resin creates incredible effects on your art. It can. Resi-BLAST can be used in many different ways. The advantage is that resi-BLAST does not connect to the resin, but displaces it. This allows you to create individual and unique cells, structures and color gradients that give your artwork something fascinating. That's what it's for. Resi-BLAST is specially designed for use with resin. Displacing the resin can create different cells depending on the amount. There are no limits to your imagination when it comes to Colours. Particularities. With resi-BLAST you can create special effects in your resin art. The effects appear immediately after the drops and you can follow the process of the cells live. In addition, the cells can be subsequently edited and changed. The effects are not only visible but can also be felt haptically. Measuring, mixing and processing resi-BLAST Mix with resin 1.) Resin and hardener of MASTERCAST 1-2-1 are mixed by volume 1:1. Place the two components in a suitable mixing cup. 2.) Stir the measured amount in the mixing cup. Use a plastic spatula for this. Stir slowly and thoroughly for 3-5 minutes; also on the bottom and edges of the mixing cup. 3.) Your mix is ??ready and you now have 25-30 minutes to process the resin. Now you can color the resin and add resi-BLAST. 4.) After you have dropped the resi-BLAST into your color mixture, you will immediately see that something has changed in the mixing cup. 5.) You have prepared your painting surface beforehand, which means: it is dusted, degreased and lying flat on your work surface. Now pour the color mixture with resi-BLAST onto the painting surface. 6.) You can influence the resulting effects by blow-drying the cells with a heat gun. To do this, you have to try to enlarge or change the cells in circular movements over your cells. Dripping on the artwork 1.) Resin and hardener of MASTERCAST 1-2-1 are mixed by volume 1:1. Place the two components in a suitable mixing cup. 2.) Stir the measured amount in the mixing cup. Use a plastic spatula for this. Stir slowly and thoroughly for 3-5 minutes; also on the bottom and edges of the mixing cup. 3.) Your mix is ??ready and you now have 25-30 minutes to process the resin. After that it becomes too thick and begins to harden. 4.) You have prepared your painting surface beforehand, which means: it has been dusted off, degreased and is lying flat on your work surface. Now pour your color mixture onto the painting ground. 5.) In order to achieve the most spectacular results possible, you should apply at least two different colors to your painting surface. 6.) Drop the resi-BLAST on one color only to create a monochrome effect. The point in time at which you apply the resi-BLAST is also important. The ideal time is about 5 minutes after casting, as the resin then offers the right consistency. The wrong time will cause an oily layer to form on your resin surface. 7.) You can influence the resulting effects by blow-drying the cells with a heat gun. To do this, you have to try to enlarge or change the cells in circular movements over your cells.

ETTER ART PAPER NEW YORK Unser Etter Art Paper New York ist in folgenden Farbvarianten erhältlich: • Blueish • Reddish  Maße: 90 x 90 cm Papier: 135 g qualitätsdruck, matt

ETTER ART PAPER BLOB ART Our Etter Art Paper Blob Art is available in the following color variants: • Greenish • Pinkish • Yellowish Dimensions: 90 x 90 cm Paper: 135 g quality print, matt

OUR PREMIUM FLAKES FOR YOUR ART That's them. Spice up your work of art with the colored glitter flakes. You can glue the Premium Flakes on with the hot glue gun or mix them into your resin. The application also works without any problems with our water-based Hydroflow. In any case, they are a highlight for your work of art. Particularities. • Easy to use. • Also works with our water-based Hydroflow. • Sparkle when exposed to light.

ETTER ART PAPER NEW WAVE Our Etter Art Paper Street Texture is available in the following color variants: • Lilac • Pinkish • Turquoise Dimensions: 90 x 90 cm Paper: 135 g quality print, matt

ETTER ART PAPER LETTER DOTS Our Etter Art Paper Letter Dots is available in the following color variants: • Greenish • Pinkish • Lilac Dimensions: 90 x 90 cm Paper: 135 g quality print, matt

THE OPTIMAL LIME SWAT FOR ARTISTIC APPLICATIONS That's him. Pure white and very fine - that is what distinguishes the Etter Art swamp lime. And that is why it is particularly suitable for use in art. In general, the following applies to swamp lime: the older, the better the quality. This is because lime and water react slowly with each other - it takes some time for the crystal structures in the lime to become finer and finer. The Etter Art swamp lime was swamped (soaked) for 72 months. The result? Radiant white and a particularly fine structure. Ideal for artists. Measuring, mixing and processing the Etter Art swamp lime 1.) Mix the Etter Art swamp lime in a ratio of 1:1 with marble flour powder until you get a homogeneous consistency reminiscent of cream quark. A hand mixer, for example, is suitable for mixing. In this case, the marble flour powder serves as a binder. 2.) If the mass is a bit too viscous, simply add a little of the water from the bucket with the lime putty (lime sinter water). 3.) Apply the resulting structure paste to the painting surface. The image idea is decisive for the type of application: Regular or irregular towering, flatter or higher, large areas or as accents. 4.) Then let the lime putty dry. The drying time depends on the layer thickness and the ambient temperature. 5.) During the drying time, fine cracks appear in the applied paste. The thinner the application, the more cracks appear. Conversely, a thicker application results in fewer cracks on an area of ??the same size. 6.) In order to fix the swamp lime structures on the painting ground, they must be secured after drying, for example with acrylic emulsion. 7.) After removing the lime putty from the bucket, top up with water if necessary so that there is always a layer of water covering the lime (lime sinter water). In this way, the product retains its properties and high Quality.

ETTER ART PAPER POP Our Etter Art Paper Pop is available in the following color variants: • Glamor • Glasses Dimensions: 90 x 90 cm Paper: 135 g quality print, matt

SINGLE PRODUCT: STRUCTURE PASTE That is her. The Etter Art XL CRACKLE PASTE is a paste for creating unique cracks (crackle). Create exciting craquelure and give your artwork special depth and three-dimensionality. The Etter Art XL CRACKLE PASTE consists of two components, primer and XL CRACKLE PASTE. That's what she's for. With the Etter Art XL CRACKLE PASTE you can create unique and exciting crackles that you can make in any size and density. It gives your artwork an incredible look and is particularly suitable for haptic and textural art. You can apply the XL CRACKLE PASTE up to 50 mm thick. The thicker or higher the layer, the deeper and wider its cracks. Particularities. With the help of the primer, making the craquelure is child’s play. In addition, the primer adheres excellently to materials such as canvas, wood, polystyrene, plastic, glass and much more. It is not suitable for materials that consist of silicone or contain silicone. Measuring, mixing and processing the XL CRACKLE PASTE 1.) You have prepared your painting surface beforehand, i.e. it has been dusted off, degreased and is lying flat on your work surface. 2.) Prime your painting ground. For your base layer, apply the primer 1-2 mm thin. 3.) Apply the XL CRACKLE PASTE directly to the base layer (primer). So you work wet on wet. This is important as this is the only way the dried XL CRACKLE PASTE will stick to the surface. Without binding using the primer, it dissolves again. 4.) Let the XL CRACKLE PASTE and the primer dry. Depending on the layer thickness of the paste, this takes several hours. The warmer, the shorter the drying time. You should pay attention to that. • Best results at 18-25 °C. • Do not store below 12 °C room temperature. • Store dry. • Protect from frost and heat. • Close the container immediately after removing it. • Clean the tool with water after use.

ETTER ART PAPER STREET TEXTURE Our Etter Art Paper Street Texture is available in the following color variants: • Greyish • Pinkish • Reddish • Orangey Dimensions: 90 x 90 cm Paper: 135 g quality print, matt

THE MONTANA METALLIC SPRAY That's it. The Montana METALLIC Spray is a spray with a particularly lightly pigmented paint. Create deceptively real metallic effects with our opaque Montana METALLIC spray. This allows you to achieve greater visual depth and color variation. The result of the coating becomes more opaque with each coat of paint. It offers medium opacity, a coordinated color concept and is suitable for the best surfaces. The Montana METALLIC Transparent Spray can also be applied with a conventional brush or an airbrush gun. It can. The Montana GOLD Transparent Spray provides excellent and quick coverage on surfaces such as metal, porcelain, ceramics, masonry, wood, glass and much more. Due to its high abrasion resistance, the METALLIC spray is well suited for painting functional objects and items. The Montana METALLIC Spray is also suitable in combination with colors that are close to the spectrum of the respective combination in order to achieve simple or complex gradient shifts and to bring dimensional depth to your Picture. Particularities. • High opacity and abrasion resistance. • High light fastness. • Suitable for substrates such as metal, porcelain, ceramics, masonry, wood, glass and much more. • Semi-gloss finish. • Suitable for working with Resin.

SINGLE PRODUCT: PRIMER That is her. The Etter Art XL CRACKLE PASTE is a paste for creating unique cracks (crackle). Create exciting craquelure and give your artwork special depth and three-dimensionality. The Etter Art XL CRACKLE PASTE consists of two components, primer and XL CRACKLE PASTE. That's what she's for. With the Etter Art XL CRACKLE PASTE you can create unique and exciting crackles that you can make in any size and density. It gives your artwork an incredible look and is particularly suitable for haptic and textural art. You can apply the XL CRACKLE PASTE up to 50 mm thick. The thicker or higher the layer, the deeper and wider its cracks. Particularities. With the help of the primer, making the craquelure is child’s play. In addition, the primer adheres excellently to materials such as canvas, wood, polystyrene, plastic, glass and much more. It is not suitable for materials that consist of silicone or contain silicone. Measuring, mixing and processing the XL CRACKLE PASTE 1.) You have prepared your painting surface beforehand, i.e. it has been dusted off, degreased and is lying flat on your work surface. 2.) Prime your painting ground. For your base layer, apply the primer 1-2 mm thin. 3.) Apply the XL CRACKLE PASTE directly to the base layer (primer). So you work wet on wet. This is important as this is the only way the dried XL CRACKLE PASTE will stick to the surface. Without binding using the primer, it dissolves again. 4.) Let the XL CRACKLE PASTE and the primer dry. Depending on the layer thickness of the paste, this takes several hours. The warmer, the shorter the drying time. You should pay attention to that. • Best results at 18-25 °C. • Do not store below 12 °C room temperature. • Store dry. • Protect from frost and heat. • Close the container immediately after removing it. • Clean the tool with water after use.

THE PRODUCT HI-BUILD That's it. HI-BUILD Resin is a high-viscosity, two-component resin that offers the benefits of 3D height. It can. HI-BUILD becomes a hard and glassy varnish when its two individual components are mixed together. It also offers the best possible protection against yellowing. This is ensured by so-called UV stabilizers: Our products contain a UV absorber and HALS (Hindered Amine Light Stabilizer) That's what it's for. HI-BUILD has a high viscosity and is a very thick resin. That is why it is perfect for blob art, dot art, geode art and the so-called doming. With HI-BUILD you can create custom effects that add three-dimensional depth to your work. Particularities. Due to its thick and sticky consistency, HI-BUILD is one of the most manageable resins on the market. No sagging, slipping or flowing, HI-BUILD stays right where you put it. It comes in a creamy color by default and can be colored with various pigments. Use a suitable resin pigment, such as Resi-TINT, Resi-TINT MAX or an equivalent of our products. Measure, mix and apply HI-BUILD 1.) Resin and hardener from HI-BUILD are mixed by volume 1:1. Place the two components in a suitable mixing cup. 2.) Stir the measured amount in the mixing cup. Use a plastic spatula for this. Stir slowly and thoroughly for 3-5 minutes; also on the bottom and edges of the mixing cup. 3.) Your mix is ??now complete and you now have 25-30 minutes to process the resin. After that, it becomes even thicker and begins to harden. 4.) You have previously prepared your painting surface, which means: it has been dusted off, degreased and is lying flat on your work surface. Now you can color the resin with a resin pigment of your choice and drip onto your surface using a plastic spatula. You can use this process to create three-dimensional shapes. 5.) HI-BUILD is a high-quality product that produces only small bubbles, if any. If bubbles appear, simply remove them with the heat of a Bunsen burner or a heat gun. To do this, walk about 30 cm above your surface in swinging movements. Don't get closer than 30cm to your artwork or there is a risk of ripples and pits forming in the resin finish. 6.) Protect your work from dust or other foreign objects by working in an environment that is as dust-free as possible. Cover it when it's done. 7.) The best way to clean the hardened surface is with a damp Cloth. You should pay attention to this: Although our resins are formulated with the most advanced and safest epoxy chemistry available, you should handle all epoxy resins responsibly and be proactive about your safety: • Always wear nitrile gloves. • When sanding cured resin, wear a dust mask, and better yet, wear safety goggles. • It is advisable to work in a well-ventilated area and to wear a Respirator. • Avoid skin contact (if resin gets on skin, wash with plenty of soap and water). • DO NOT eat, drink or smoke while working. • If eyes get dirty, wash with plenty of water for 15 minutes and seek medical attention immediately. • Adding inks/varnishes/mica powder/glitter to epoxy changes its properties and may reduce its non-toxicity. If you are using alcohol ink, DO NOT use a flame to remove bubbles as alcohol is flammable. You can find more technical information about the Eli-Chem-Resin HI-BUILD in our overview table. HI-BUILD Resin is available in 400g, 2kg, 4kg and 10kg sizes.

ETTER ART PAPER POP LOOK Our Etter Art Paper Pop Look is available in the following color variants: • Greenish • Pinkish • Turquoise Dimensions: 100 x 70 cm Paper: 135 g quality print, matt

ETTER ART PAPER LETTER MESS Our Etter Art Paper Street Texture is available in the following color variants: • Pinkish • Reddish • Orangey Dimensions: 90x90 cm Paper: 135 g quality print, matt

ETTER ART PAPER TORN PAPER